Jury Screening

Kaisa Penttilä, Leena Jääskeläinen:

Boris the Råt Gets Fit
(Råtta Booris kuntoilee)

Finland, 2012. 5 minutes.

Boris. A Rat with issues. He decides to mend his ways which soon attracts the attention of the police. Anneli the Baltic Herring, Boris´s best friend is deeply embarrassed. Boris is soon to learn the lesson of his life.

Thomas Renoldner:

Too many strokes
(Ein Schlag zuviel)

Austria, 1989. 3 minutes.

Kaisa Penttilä:

The Landing
(Maihinnousu)

Finland, 2021. 9 minutes.

A family holiday in a zoo is interrupted when an unknown species tries to enter the zone.

Aline Höchli:

He sö kherö

Switzerland, 2016. 6 minutes.

The woman saves fishes. The crocodile eats fishes. The woman loves the crocodile and the crocodile loves her. The film follows their everyday life and, in short episodes, tells of their difficulties.

Thomas Renoldner:

Structure / Dissolution
(Struktur / Auflösung)

Austria, 1989. 4 minutes.

Kaisa Penttilä:

The Egg Race
(Munaralli)

Finland, 2009. 9 minutes.

A young pigeon couple get their first egg for which they have been waiting for a long time. When the egg is laid, the pigeons start a vigorous education project. Instead of hatching the egg, the pigeons start whisking it around in a rally car…

Aline Höchli:

Cuckoo

Switzerland, 2017. 3 minutes.

The skinny, young girl spends her time alone feeding pigeons in the park. But even they fly away from her. Suddenly, company turns up. But the beanpole feels uneasy about the new companionship, so she sets about going to a specialist for parasites.

Kaisa Penttilä, Reetta Neittaanmäki:

The Plastic Godzilla of the Baltic Sea
(Itämeren Muovigodzilla)

Finland, 2017. 3 minutes.

The plastic Godzilla of the Baltic Sea is coming soon. It’s catastrophic!

Thomas Renoldner:

Sunny Afternoon

Austria, 2012. 7 minutes.

Sunny Afternoon is the confrontation of a “kind of” an avant-garde film with a “kind of” a music video, consequently questioning the standard taboos and clichés of both “genres”.