Panorama 1

Pernille Kjaer, Adrian Dexter:

Terra Incognita

France, 2022. 20 minutes.

Terra Incognita follows life on a mysterious island, inhabited by immortal beings that live in an unbroken chain of eternity, but eternity is a simple illusion broken only by death, nothing changes until….it does.

Damien Tran:

Onfim

France, 2022. 4 minutes.

Two lovers are walking along a river. They look at flowers on the shore.

This film is a tribute to the drawings of a child (Onfim) dating from the Middle Ages. These are both simple and powerful, beautiful and awkward.This ambivalence resonates with that of the love story told in this film, absurd and poetic.

Ülo Pikkov:

Til We Meet Again

Estonia, 2021. 14 minutes.

Animation short “‘Til We Meet Again” talks about the tragic history of a small Ruhnu Island. Fearing for their lives, its entire population abandoned their homes while escaping the war in 1944. Decades later they had a chance to finally return, only to find out that strangers had settled in. In addition to the twists and turns of the history, “‘Til We Meet Again” looks deeper into the meaning of home – is it merely a location or a place that gives one a peace of mind.

Subarna D:

Amayi

India, 2021. 5 minutes.

Amayi is a story of a woman who is haunted by nightmares of her past and her possible future of becoming the next village circumciser. When she is asked to take up the job and circumcise her daughter, she realizes she can’t conform to the traditions and the customs of her community, and she must fight back.

Paulina Ziółkowska:

3 geNARRATIONS
(3 geNARRACJE)

Poland, 2021. 9 minutes.

Three generations, three narrations, three different points of view. A dance of generations.

AmirHoushang Moein:

The Wet Mirror

Iran, 2021. 7 minutes.

“The Wet Mirror” is a story of an old painter who falls in love with a young girl. An old man who had been painting love stories for many years – today is his turn to be pictured.

Marta Pajek:

Impossible Figures and other stories I

Poland, 2021. 16 minutes.

After a huge explosion, only an old couple remains in an abandoned city. An old woman wanders tediously through empty streets. She passes by the statues of some now completely irrelevant and long-forgotten victories. In the shop windows, she sees some abandoned and dead mannequins. In short flashback, we get to see those, who will never return to the city. Marta Pajek’s film is a post-apocalyptic portrait of the world where the human being and its existence means no more than a split second. The film is the missing part of the trilogy “Impossible Figures and other stories”.