Introducing the Jury –
Competition’s Jury Screening
Selection of films from our Competition’s Jury members.
Valikoima elokuvia festivaalin kilpasarjan tuomaristolta.
Duration: 1h 9min
Aurinkobaletti,
Saturday 29.08.2026
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9€ Buy tickets
Films in this screening:
Alexander Gratzer:
In The Living Room
(Im Wohnzimmer)
Austria, 2015. 2 minutes.
A glimpse into the living room – How do shoes react when their owners do not move out of the chair?
Ivana Volda, Thomas Volda:
SIMULACRA
Croatia, 2014. 9 minutes.
Which image is real – the one staring at us from the mirror or the one standing in front of it? In hallways filled with illusions, a simulacrum behind the looking glass, he is trying to find out if he is looking at a stranger or a hidden part of himself.
Anita Killi:
The Hedge of Thorns
(Tornehekken)
Norway, 2001. 13 minutes.
Florian and Malene are best friends, and every day they play together by the stream. But one day the war comes, and the two friends are no longer allowed to play together — they now stand on opposite sides of the conflict.
Alexander Gratzer:
Apfelmus
Austria, 2019. 7 minutes.
Philosophical dialogues between humans and animals about the essential things in life: freedom, existence, and applesauce.
Ivana Bošnjak Volda, Thomas Johnson Volda:
Remember How I Used to Ride a White Horse
(Sjeti se kako sam jahala bijelog konja)
Croatia, 2022. 10 minutes.
A waitress goes about her daily routine serving coffee whilst having thoughts of escaping her reality. A costumer is constantly recording and listening back to the surrounding sounds of the café and is completely fixated by this task. Apathy is a condition that leads consciousness into stagnation, but do either of them realise that they are themselves examples of this condition?
Anita Killi:
Angry Man
(Sinna Mann)
Norway, 2009. 20 minutes.
Angry Man is about secrets that shouldn’t be secret. When his pet fish dies, Boj has had enough — and finds the courage in his own imagination to act.
Alexander Gratzer:
In The Upper Room
Hungary / Austria, 2022. 8 minutes.
Every season a young mole visits his blind grandfather, who lives deep underground in a comfortably decorated burrow. As the two grow older their relationship becomes more intense and important questions arise.